BAD_POTTERY
GREAT_ART
These ceramic works oscillate between design, experiment and artwork. The approach to clay as a sensual material, to form as process and taming, the balancing act between non-skill and knowledge of the artist, who has trained her mind and hands in aesthetics and material for over a decade.
The formal language of the design refers to the earliest, archaic and ancient clay works, plays with the aesthetics of silhouette and shadow casting, and in general is characterized by rich imagination and playful storytelling.
After working intensely in lino and paper it was just a matter of time until the knife would turn towards clay.